What Happens When a New York Company Tries to Brand “Southern Style” Sweet Tea

Southern Style Sweet Tea from AriZona by way of Brooklyn, NY.

My friend’s Southern Style Sweet Tea from AriZona by way of Brooklyn, NY.

Recently, a friend and I were having lunch when I noticed an image on the side of her AriZona “Southern Style” sweet tea.  It caught my attention because of the image used to brand this tea as southern–19th century steamboats on what we can probably assume is the Mississippi River.

I find it interesting that in 2013 that a company determined that it would associate “southern” with antebellum paddle-wheelers that were used to not only carry travelers, but tons of cotton cultivated by thousands of slaves. That’s when I did my research and discovered that AriZona had originally used an even more offensive image to suggest “southern style” when the product came out in 2008.

Back then, the tea was branded with the image

The original image of AriZona's Southern Style Sweet Tea featured an antebellum plantation.

The original image of AriZona’s Southern Style Sweet Tea featured an antebellum plantation.

of the “big house” of a southern plantation, with a southern belle in the foreground.  It was reminiscent of early advertising that incorporated images of the Old South–advertising tropes that are more than a century old. The original can rightly drew the ire of consumers for promoting an image of the Old South and the slavery that’s associated with plantations. It forced the company to change the image and make a public apology.

But why did the company approve the image of a plantation in the first place?  Why did they follow it up with another image from the same era? I’d argue that it’s because the company, founded by two guys from Brooklyn, have no sense of American history nor do those in charge of its marketing understand modern southern culture.  Rather, they rely on the same tired tropes of the South. Clearly, there’s some sense that the South not only hasn’t made it into the 21st century; it never made it into the 20th!

So, to marketing firms above the Mason-Dixon I say this:  Come visit and quit relying on tired stereotypes.  You’ll thank yourself and you won’t make stupid mistakes like AriZona.

What do Boy George and Mississippi in 1870 have in common?

As I sang and danced to the 1983 Culture Club hit “Karma Chameleon,” I was completely unaware of the Pop South associations that I would totally get today if the song were new.  Recently, I watched the YouTube clip of the music video “Karma Chameleon” and was astounded when I saw “Mississippi–1870″ claimed as the video’s setting.  Clearly, I hadn’t paid attention when it was shown on MTV. That is, when MTV really meant “music television.”

Filmed in Weybridge, England, the video features blacks and whites dancing together (not possible in 1870s Mississippi) dressed in all manner of costumes that are not necessarily of the period. The Chameleon, in this case, was a Mississippi gambling boat souped up to look like a nineteenth-century steamboat. Of course, Boy George looks like he always did, like Boy George–in makeup, colorful clothes, braids,and his signature hat. About the only thing reminiscent of the South might be the harmonica riffs, yet even those are far from bluesy.

It’s just a small reminder that what passes as “southern” has long been a favorite trope for the producers of popular culture.  It was also fun to watch again.

Paperback version of Dreaming of Dixie to be released in August

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I’m pleased to announce that my book Dreaming of Dixie: How the South Was Created in American Popular Culture is coming out in paperback.  You can pre-order now through UNC Press for the book’s release in August.  Fun reading and great for classes!

Who’s Gonna Fill Your Shoes, George Jones?

News recently broke that George Jones, whose distinctive voice and behavior made him a legend in country music, died today at the age of 81.  I have fond memories of listening to his music with my Maw Maw Crum back in West Virginia.  His nicknames “the possum” and “No Show Jones” hinted at his looks and the impact his alcoholism had on his performances.  Yet no one can dismiss his unique voice or his impact on country music.  Rest in Peace, George Jones.

Reese Witherspoon and the Fallibility of the Southern Woman as “America’s Sweetheart”

Celebrity culture is an interesting phenomenon.  We come to know a celebrity’s public persona and many people assume they “know” the person.  And in some cases, the celebrity assumes that “the people” know him or her.

Reese Witherspoon's "sweet" mugshot.

Reese Witherspoon‘s “sweet” mugshot.

Enter Reese Witherspoon, or better yet a drunk Reese Witherspoon, whose celebrity persona is “America’s sweetheart.”  Except that this past week the nation learned something about her true personality when, while driving in Atlanta, her husband James Toth was pulled over and arrested for drunk driving.  She was in the passenger seat and instead of keeping calm and letting the officers do their job she got out of the car to announce to the officer “Do you know my name?” This was followed by “You’re about to find out. . .”  Blah, blah, I’m an entitled Hollywood actress who should get special treatment and I have lawyers.  Um, Reese, this is being videotaped.

Since this is a blog about the South, I wonder why it is that southern women often get the title of “America’s sweetheart?” We’ve had Mary Lou Retton (West Virginia), Julia Roberts (Georgia), Taylor Swift (from rural Pennsylvania–also known as North Alabama–and in country music she might as well be from the South), Britney Spears (Louisiana) and Reese Witherspoon (Tennessee). There have also been a number of beauty queens from the South who’ve won Miss America.

After shaving her head, Britney Spears had this "umbrella incident."

After shaving her head, Britney Spears had this “umbrella incident.”

I have a theory that white southern women who supposedly exhibit a certain feminine innocence and charm, not unlike the southern belles of old, are still held up as models of femininity for the nation.  Even if their private behavior isn’t innocent, very often their public personas suggest that they are well-behaved, models of traditional womanhood.  So, when they show their human frailties (Britney Spears) or that they aren’t sweet at all (Reese Witherspoon) it seems like they’ve taken a big tumble from their pedestals.  Except they shouldn’t have been placed there to begin with. It’s a precarious perch and they were bound to fall.

It is inherently problematic to assign southern women the title of “America’s sweetheart.” Southern women are not the mythic creatures of traditional femininity, nor do they embody the behavior that Americans and the media continue to portray them as having.  They are, like other American women, fallible human beings who can sometimes behave poorly.

Historic Natchez Conference: Civil War to Civil Rights

Boxwood Garden, Natchez

Boxwood Garden, Natchez

I’m pleased to be able to participate in the annual Historic Natchez Conference this week from Wednesday, April 17 through Saturday, April 20th.  The focus of the meeting is “Civil War to Civil Rights.”  I’ll be speaking about my new project about a murder case that made national headlines in 1932. It’s known locally in Natchez as the “Goat Castle Murder.”

William C. Davis, professor of history at Virginia Tech, is giving a keynote address.  He is the author of Look Away! A History of the Confederate States of America (2003).

Inside the Eola Hotel

Inside the Eola Hotel

The conference will be headquartered at the historic Eola Hotel. As with many small towns with nary an airport in sight, folks there know how to show people a good time.

Longwood Plantation, Natchez

Longwood Plantation, Natchez

If you ever get to visit Natchez, you should.  As they say there, “Natchez is in this world, but not of it.”  Seeing is believing.

“Racism is over y’all”: SNL takes on Accidental Racist

During the segment “Weekend Update,” Saturday Night Live’s Kenan Thompson and Jason Sudeikis satirized Brad Paisley and LL Cool J‘s new song “Accidental Racist.” Pop South examined this song earlier in the week, but admits that a brief satirical sketch can pack a big punch.

“Accidental Racist”: Brad Paisley & LL Cool J’s Folly

Brad Paisley‘s controversial new song “Accidental Racist” is causing a media stir and backlash creating what is euphemistically called a “shit storm.” Essentially, the song is that of a good ol’ boy who wants to show his southern pride and not have to apologize to the black guy who is waiting on him at Starbucks for doing so.  He’s “just a white man, living in the Southland” who wants to wear his red shirt emblazoned with that innocuous symbol (not), the Confederate battle flag, because really, he’s just a fan of Lynyrd Skynyrd and his generation didn’t own slaves. Damn, Brad, even Lynyrd Skynyrd attempted to remove the flag from their concerts because of the flag’s ugly history–you know, the one associated not just with slavery, but with segregation and let’s not forget the Ku Klux Klan.  Although in the end, Skynyrd’s legions of white fans shamed them into keeping it because it’s about “heritage, not hate.”

This is essentially Brad Paisley’s argument.  Poor guy feels caught between “southern blame” and “southern pride.”  Well, Brad, there’s a good reason for that and if you had done your homework, which you said you’re just doing now in order to defend yourself, you wouldn’t have written lyrics asking a black man to give you a pass for wearing that battle flag on your t-shirt with all of the political baggage that it carries.  And why THAT symbol of southern pride above all others? Can’t you pick another one? Did you have to choose the one co-opted by hate groups? And why is a guy from the northern neck of West Virginia defending his southern pride?

And teaming up with LL Cool J did not help matters.  He’s drifted a long way from “Mama Said Knock You Out,” which would have been a more appropriate response to Paisley’s lyrics.  Instead, he joins in with ridiculous rhymes of his own like “The relationship between the Mason-Dixon needs some fixin’” and “If you don’t judge my do-rag, I won’t judge your red flag.” LL, don’t you think you’re making a sweeping generalization suggesting that all black men wear do-rags and gold chains? Then, incredulously, he gives a shout out to Robert E. Lee, offering a “RIP.”

Take a listen.

The one line LL has correct is “can’t re-write history, baby.”  No, you can’t. And these two men should have familiarized themselves with the history of this country and of contentious symbols like that “red flag” before releasing this song.

Double Divas or Our Cups Runneth Over with Southern-based Reality TV

As I’ve said many times, the explosion of southern-based reality television series make it difficult for me to keep up.  One of the more recent is Lifetime‘s Double Divas, starring Molly Hopkins and Cynthia Richards, owners of LiviRae Lingerie in Kennesaw, Georgia. Lifetime may refer to it as a “docu-series,” but that’s just a highfalutin term for reality show.

The premise of Double Divas is that Molly and Cynthia are out to help women, one bra at a time, who’ve been frustrated in their effort to find one that fits.  Their motto “no bust too big or too small” is the premise of their business, although there’s nothing particularly southern about that. Women from all over the country can appreciate a well-fitted bra.

While Lifetime describes the show as one that brings “southern charm and hospitality,” a claim made by many southern-based reality shows, what makes it “southern,” in my opinion, are Molly and Cynthia’s accents.  Having grown up in the South, I truly appreciate a southern accent, of which there are several variations.  Yet sometimes it seems that Cynthia lays it on a bit thick with hers, almost to the point where I have to hit the mute button.  Still, I can’t help but wonder if the production company is behind the exaggeration.

NorthSouth productions, with offices in New York, Los Angeles, (and Knoxville?), produces this show and others in the greater Atlanta area, including Say Yes to the Dress, where a strong southern accent seems to be a requirement. The company also produced You Don’t Know Dixie, a show that promoted southern stereotypes, as I’ve written about previously.

Despite the exaggerated accents, there is something very likeable about Molly who seems genuinely interested in helping women find a bra that boosts their confidence as well as their breasts.  And while Cynthia’s accent can get on my last nerve she, too, seems to really want to help women by creating the right bra for them.

I think women are watching this show (and heading to LiviRae Lingerie in droves) because so many of us are eager to get a bra that fits. That’s no joke. Even I might make the trip to LiviRae for that reason.  Still, you don’t really need a southern accent or characters to sell you on that simple truth, but in the world of reality TV it’s a big part of what sells the show.

Duck Dynasty: Those Beards are Nobody’s Fool

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Image credit: A&E Television

The guys with the beards are back.  On reality television that is.  Duck Dynasty’s new season premiered last night and its legions of fans tuned in to see the latest happenings in the Robertson family, especially those of the hirsute men of the clan.

Duck Dynasty has become the most successful of the reality shows set in the South.  It’s part of what I like to call the “Louisiana genre” of reality TV that includes other successful show like Swamp People and Billy the Exterminator.  Though let’s not forget the lesser known Cajun Pawn or Cajun Justice.

What makes Duck Dynasty different, for me at least, is that the guys with beards are nobody’s fool.  So much of southern-based reality TV seems geared toward stereotyping people from the region.  Very often they are placed in ridiculous situations for comedic effect and their speech is accompanied by subtitles. This is most famously the case with the Thompson Family in Here Comes Honey Boo Boo.  Not so with Duck Dynasty.

One gets the impression that Willie and the boys are very much in control of their show and while there’s humor, it’s the kind where we can laugh with them and not at them.  Uncle Si might be the one in the family who’s picked on, but “hey,” he and the rest are in on the joke.  Moreover, the show about these self-made millionaires, whose company Duck Commander makes duck calls among other products, seems more like a strategic move on the family’s part to further their brand.  And it’s worked like a charm.

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Uncle Si Robertson and his catch phrase on a T-Shirt

Now the brand includes the show itself.  The success of Duck Dynasty has resulted in sales of all sorts of items that have less to do with duck calls and more to do with the family’s keen marketing sense.  Products range from bobble heads of father Phil and his sons Willie and Jase to shirts and coffee mugs with Phil’s saying “Happy, Happy, Happy,” to images of Uncle Si and his catch phrase “Hey!” printed on t-shirts. The Robertson women are also in on the boondoggle with products of their own.

One of the reasons I enjoy the show is that I can see that the Robertsons are very grounded, self-aware, and clearly wise to the ways of the world.  When their fame dissipates, they will still be doing well financially.  Unfortunately, this is the exception to the rule when it comes to southern-based reality TV.  True, many of those stars may temporarily be enjoying some windfall, but they are not as savvy as the beards.  And that’s too bad.