Historic Natchez Conference: Civil War to Civil Rights

Boxwood Garden, Natchez

Boxwood Garden, Natchez

I’m pleased to be able to participate in the annual Historic Natchez Conference this week from Wednesday, April 17 through Saturday, April 20th.  The focus of the meeting is “Civil War to Civil Rights.”  I’ll be speaking about my new project about a murder case that made national headlines in 1932. It’s known locally in Natchez as the “Goat Castle Murder.”

William C. Davis, professor of history at Virginia Tech, is giving a keynote address.  He is the author of Look Away! A History of the Confederate States of America (2003).

Inside the Eola Hotel

Inside the Eola Hotel

The conference will be headquartered at the historic Eola Hotel. As with many small towns with nary an airport in sight, folks there know how to show people a good time.

Longwood Plantation, Natchez

Longwood Plantation, Natchez

If you ever get to visit Natchez, you should.  As they say there, “Natchez is in this world, but not of it.”  Seeing is believing.

Pop South: 2012 in review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 26,000 views in 2012. If each view were a film, this blog would power 6 Film Festivals

Click here to see the complete report.

Looking Backward on the Dixie Highway

Pop South welcomes this post by Tammy Ingram, Assistant Professor of History at the College of Charleston. Her book Dixie Highway: Roads and Modernization in the South, 1900-1930 is forthcoming from the University of North Carolina Press.

I like to drive. My dad taught me how when I was seven or eight years old and turned me loose with his old one-ton flatbed truck. With the tattered bench seat pushed all the way forward, I toured the back roads around our South Georgia farm with my trusty co-pilot, a chihuahua named Scooter, perched on the seat next to me. When I was older (and legal), I ventured farther, this time with a stack of maps by my side. My best memories are from those road trips—my first solo long-distance drive to college; a cross-country journey with an old boyfriend; and speeding across the Tappan Zee Bridge at 4:00 AM on the 1000-mile trip home during grad school.

I got to know the South from behind the wheel of an automobile, just like the farmers and tourists I write about. But the South they encountered looked very different. At the turn of the twentieth century, a jumble of muddy roads covered the South like a bed of briars. Roads were not long-distance routes, but rather short paths that fed local traffic to the nearest railroad depot. Main roads branched outward from railroad towns, and thousands of miles of secondary roads linked them to farms. There were no road signs or mile markers to guide you. If you weren’t from around these parts, you’d have a hard time navigating the roads that linked isolated farms to nearby market towns but not much else.

These problems became the focus of a grassroots campaign called the Good Roads Movement. Though it began among urban bicyclists in the 1880s, by the 1910s the automobile craze had transformed it into a nationwide crusade to improve rural roads.

Section of the Dixie Highway from Chattanooga to Atlanta via Dalton (there was a rival routing option through Rome, as well) Atlanta Constitution, March 28, 1915

Between 1915 and 1927, the Dixie Highway served as the centerpiece the Good Roads Movement in the South. Made up of hundreds of local roads stitched together, the Dixie Highway looped 6000 miles from Lake Michigan to Miami Beach and back up again. It was originally planned as a tourist route to steer wealthy motorists from the Midwest to fancy vacation resorts in South Florida, but within a few years the Dixie Highway became a full-fledged interstate highway system—the first in the nation—and served tourists, businessmen, and farmers, alike.

The highway that helped to transform and modernize the South, however, reflected profoundly conservative ideas about the region’s place in the nation.

The Dixie Highway was the brainchild of Carl Fisher, an eccentric Indianapolis millionaire, and his wealthy friends in the auto industry. With the support of others in the Good Roads Movement, they used the highway to lobby for state and federal highway aid. Southern support was critical to this process. Yet in the Hoosiers’ imagining of the Dixie Highway route, the South was little more than an unavoidable place on the way to vacation paradise in South Florida.

In order to promote the highway to northern tourists, they had to market the South as a destination in and of itself, not just an obstacle separating Chicago snowbirds from the warm Florida sunshine. And in order to persuade southern voters and taxpayers to fund long-distance highways, which they derided as “peacock alleys” that served only wealthy motorists, they had to convince them that tourism in the South would pay.

They started with the name. Originally called the Cotton Belt Route, by early 1915 they had adopted a snappier sounding name that, as this blog’s author Karen L. Cox has argued, was not just a geographic reference but a brand that evoked popular nostalgia for the Old South. The Dixie Highway sounded like a road to the past as much as a road to a place. It presented the South as an exotic locale, and idea, to explore and exploit.

Although traffic would flow both ways along the Dixie Highway, its Hoosier boosters envisioned it as a path “leading down into the South,” where there existed “wonderful scenery that is most unusual and attractive” to Midwestern motorists. Some even believed the Dixie Highway could ease lingering sectional tensions. The New York Times dubbed it the “Dixie Peaceway” and mawkishly described it as “a memorial . . . symbolical of the accord between brethren which shall never again be broken.” In Illinois and Indiana, “Dixie” gas stations, restaurants, and hotels conjured up images of an unfamiliar but pleasant destination. Oil and gas companies capitalized on the interest in southern tourism, as well, by distributing road maps to guide tourists through the South.

But Yankee entrepreneurs were not the only ones who drew on stereotypes about the South. In Georgia, Dixie Highway boosters promoted Old South and Civil War tourism.

Dixie Highway restaurant in Illinois, courtesy Tammy Ingram.

Looking backward, however, proved incongruous with the challenges of building a modern highway system. Even while southern supporters of the Dixie Highway joined the campaign for state and federal aid, they clung to old social and political institutions that preserved local control.

The most ruinous was the county chain gang. Chain gangs were not unique to the South, but by the 1920s, when state- and federal-aid highways were beginning to take shape, most states outside the region had turned to contract labor. But not southerners. Chain gangs allowed local authorities to control black labor, so southerners preserved them long after other states had abandoned them.

As soon as modern highway building challenged their sacred institutions, southerners retreated. By the time state and federal highway markers began to replace Dixie Highway markers in the late 1920s, the Good Roads Movement was dead. The backlash against the emerging highway bureaucracy did not forestall road work altogether, but it delayed the development of a modern, integrated highway system in the South for decades. The construction of the Eisenhower system in the 1950s and 1960s transformed large parts of the South, but it had little impact on the quality of local roads and state highways miles away from the interstates. In the 1980s, when I was growing up in rural Georgia, a hard rain could wash out half of the county’s dirt roads.

A few years ago, I drove one of the few remaining sections of the original Dixie Highway, a narrow road that winds through peach country near Macon, Georgia. In some spots, you can see in your rearview mirror a stretch of Interstate 75, the modern, multi-lane, limited-access freeway that replaced the Dixie Highway. You won’t see much of the South driving eighty-five miles an hour along the latter route, but the former won’t take you where you need to go. If ever there was a fitting memorial to the Good Roads Movement, this might just be it.

Remembering Jesse Owens–An Olympian from the Deep South

In this guest post, Barclay Key, Assistant Professor of History at the University of Arkansas-Little Rock, reflects on the meaning of race and commemoration in the Deep South through his personal recollections of growing up in Lawrence County, Alabama, the same county where Olympic great Jesse Owens was born.  Key has a poignant essay about Owens in a forthcoming volume Destination Dixie: Tourism and Southern History.

While I have the vaguest memory, perhaps concocted later, of Al Michaels asking in 1980 if I believe in miracles, the 1984 Summer Olympics figured most prominently in my childhood.  As an eight-year-old in rural northwest Alabama, I had already developed a passion for some sports, particularly Dixie Youth baseball and Alabama football, but I had little knowledge of the varieties of athletic competition on display in Los Angeles.

Carl Lewis, Mary Lou Retton, and John Williams clearly inspired something in me because I soon developed my own Olympic events and invited friends to participate.  We had the traditional sprints that measured the length of our front yard, but other events required more imagination.  The shot put contest consisted of heaving a brick, and my gymnastics routine was limited to hanging from our rusty swing set, swaying a bit, and dismounting letting go.  I also managed to incorporate an obstacle course and an Atari game or two.  Motivated in part by Red Dawn, I went undefeated versus the Soviets as my games extended into the fall and winter.

Jesse Owens, 4-time Gold Medalist at the 1936 Berlin Olympics

Imagine my delight the following summer when my mother offered to take me to the nearby Jesse Owens monument.  I had come to understand that Owens was an Olympic hero.  Lewis’s four gold medals in 1984 elicited comparisons to Owens, who had won four gold medals during the 1936 Olympics in Berlin, Germany.  And I had recently participated in the Jesse Owens Memorial Run, a new event in my hometown that acknowledged the track star’s local connection to Oakville, a community near our small town.

Even if he wasn’t technically from my town, I thought, he was from Lawrence County, just like me.  He became an Olympic hero; maybe I could, too.  Or at least I could start at wide receiver for the Univeristy of Alabama Crimson Tide.  In a place where one’s identity relates so closely to home and community, there is a sense in which Owens was becoming “one of us.”  Although I was naïve about this process and its abundant ironies, local people, particularly whites, were coming to embrace Owens as a hometown hero a few years after his death in 1980.

Owens had been a child—about nine years old, just like me—when he migrated with his family from Alabama to Ohio.  To the best of my knowledge, he never stepped foot in the county again.  In autobiographical accounts of his childhood, Owens wrote of the “terror of sharecropping in the South” and the “terror of Oakville,” a community he described as “more an invention of the white landowners than a geographical place.”  I don’t recall anyone explaining why the Owens family left “our home” or why Owens ran for Ohio State University instead of my beloved Crimson Tide.  I completely missed the significance of a black American from Alabama overcoming tremendous odds to represent his own country in an Olympiad often remembered for its Nazi hosts.

Mother’s offer was really more of a bribe.  She needed to run an errand near Owens’s birthplace, about ten miles away, and she did not want to leave me alone.  The promise of seeing the Owens monument convinced me to cooperate.  She provided no details, so my mind ran wild with possibilities.  At the very least, I imagined a large statue surrounded by beautiful flowers, or maybe even an elaborate fountain that would give me an opportunity to make a wish and toss a penny.

Twenty minutes into the drive, my mother exclaimed, “There it is!”

“Where?!” I shrieked, exasperated that I couldn’t immediately locate what must have been an amazing sight.

“Right there,” she replied.

I finally caught a fleeting glance of what looked like a tombstone.  “Is that all there is?” I asked.

A few years ago, I couldn’t resist an opportunity to write an essay about the commemoration of Owens in Lawrence County for Destination Dixie:  Tourism and Southern History.  Readers will learn how this modest monument provoked controversy that spilled into the state and national media and how the Jesse Owens Park and Museum later arose out of the same cotton fields that the Owens family picked before their migration.  This project was cathartic in several ways.  Having navigated the requirements of becoming a “professional historian,” I enjoyed sharing a local story that served as a microcosm of racial tensions and piecemeal efforts at reconciliation that have become more characteristic of the South in recent decades.

My recent interest in the commemoration of Owens illustrates how I too have embraced him as a Lawrence County native, not just an Olympic hero.  Although Owens’s experiences were in no way comparable to my own, I have come to appreciate that his story is indelibly tied to my own, to our own.  My grandfather was a sharecropper; my father started picking cotton at age five.  Their “whiteness” protected them from the racial discrimination that the Owens family faced, both in Alabama and beyond, but we share an ancestral relationship to the land, to work, to want.  We are from Alabama.  Jesse Owens is my people, just as notorious figures like George Wallace are.  Accepting both remains a work in progress for many.

The DNC and the National Media—Bringing Southern Stereotypes to a City Near You

 

As we get closer to the kickoff for the Democratic National Convention, I thought it would worthwhile to repost a blog I wrote in February 2011 when it was first announced that Charlotte, North Carolina, would host the convention.  Look for more DNC-related posts in the near future.  Here’s the link to that post:

The DNC and the National Media—Bringing Southern Stereotypes to a City Near You.

 

Mississippi Stories: Where Time is Slow as Molasses

Reblogged from The South Will Blog Again!:

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Hey Y'all,

It's been several months since my last post on The South Will Blog Again. You'll have to forgive me for my absence. I went and found a full-time job. Funny thing about blogging...you have a whole lot more time to do it when you don't have much else to do. So in any case, it's been about ten weeks on the new job and I'm pretty settled in.

Read more… 2,349 more words

From the always amusing Southern Blogger.  KLC

Andy Griffith and Me

Andy Griffith as Andy Taylor, Sheriff of Mayberry.

I’m just going to speak off the cuff here and not go into any analytical piece about The Andy Griffith Show (TAGS for those in the know) in popular culture.  You see, I love that show.  I mean LOVE that show.  My all-time favorite.

So, it is with some sadness that I write about the passing of Andy Griffith today.  As a fellow North Carolinian, I have an appreciation for his humor and of the South that he represented.  Yes, I know he had a much broader career than TAGS (starring in movies like Elia Kazan’s A Face in the Crowd, and having a second TV career with Matlock), but it’s my love of TAGS that I want to write about here.

I grew up in Greensboro, North Carolina, and it was my evening ritual to watch reruns of the show at 5pm and again at 5:30pm.  Later, when I got to college, I met other fans of the show, even attending an Andy Griffith party dressed as a waitress at the diner.  My date came as Malcolm Meriweather (Mayberry’s British visitor) and rode in on his bicycle.  My graduate school pal and lifelong friend Kelli Logan and I often traded lines back and forth from various episodes and when we see each other, we still do.  At some point, both of us even joined one of the first online discussion boards for TAGSRWC (The Andy Griffith Rerun Watchers Club), a place where we found others doing the same thing–trading lines.  It was a testament to the fine writing on the show, half of which was written by Griffith himself. It was also a testament to our insane love of all things Mayberry.

One Christmas I received The Andy Griffith Show puzzle, which I happily completed. (Ca. 1998)

I’ve watched marathons of TAGS on TV Land and videotaped them (when that technology was around) and later traded them in for a much nicer DVD set.  I purchased one of the earliest Andy Griffith trivia games, for which only my former neighbors–June Carraway and Gary Washburn–could ever really compete.  We all took a trip to Mt. Airy for Mayberry Days one year where we joined thousands of others who shared our passion for the show. There, I got to see the original doors to the courthouse, ate at the Bluebird Diner, and sat for a brief moment in one of the chairs at Floyd’s Barbershop.  The line to the Snappy Lunch for a pork chop sandwich was far too long. I also took a few photos with some of the folks who dress like characters from the show.

Me with Briscoe Darling and Aunt Bea look-alikes during Mayberry Days, ca. 2004.

A couple of years ago, I went to Mt. Airy for a doll exhibit (don’t ask) at the Gertrude Smith House in Mt. Airy.  I was there for about a half an hour when all of a sudden there was a commotion because Betty Lynn, who played Thelma Lou, had arrived.  You would have thought she was royalty, and in Mt. Airy, she is.  It was then that I learned that she had moved to the town and makes her home in an assisted living facility.  Even if Hollywood has long since forgotten her, the fans of The Andy Griffith Show still hold her in high esteem.  And I must admit, I was a little star struck.

Even more recently, I met a man who works in maintenance at UNC Charlotte who shares my passion for TAGS.  After completing some work in my office he noticed two books on my shelf were about the show.  He lit up when he found this out and to this day, he leaves TAGS trivia questions posted to my office door.  And when he passes me on campus in one of those tiny maintenance vehicles he gives me some sort of TAGS shout out.  He’s far better at the trivia than I am, but I appreciate that he keeps me on my toes.

[Above:  A clip from one of my favorite episodes "Arrest of the Fun Girls."  That would be Daphne and Skippy for those who might not know their names]

So, Andy Griffith, and particularly TAGS, has been with me through most of my life and his passing feels a little like seeing my own life pass before me.  Thankfully, I can pull out those DVDs and watch the show again and again.  I never tire of it.  It makes me laugh no matter how many times I’ve seen any one episode.  I can also engage in banter with others who share my passion.  And that’s good for my southern soul.

Republican Candidates in the South: A Confederacy of Dunces. So, too, MSNBC’s Martin Bashir & Co.

Oh, for goodness sake!  The Republican candidates for president went South and the next thing you know Mitt Romney touted “cheesy grits” and practiced saying “ya’ll,” and Rick Santorum adopted a hick accent and told people “I got kin here in Mississippi.  I’m not sure. . . (don’t say “what I think about it!”). . .I’m very proud of it.”  Shew!  That was a close one.

I think that Kathleen Parker hit the nail on the head in her opinion piece in the Washington Post that southerners deserve better from their candidates.  The one thing that she missed, however, is that Santorum, Romney, and even Newt Gingrich aren’t speaking to black southerners (or Latinos who represent the fasting growing population in the South) AT ALL.

What made it worse, for me at least, was how MSNBC covered the Republican campaigns in Mississippi and Alabama–particularly Martin Bashir and company–as they chuckled their way through a discussion of the candidates.  Believe me, there is a lot to chuckle about when you hear the gems that fall from Romney’s mouth, but that shouldn’t let Bashir off the hook.  His show began with the banjo theme song from Deliverance followed by his opening statement “Oh, my goodness, it is a deep fried primary day down in Dixie.” Really? Hush yo’ mouth!  And then, between the graphic about Good Ol’ Boys (with the faces of Romney, Santorum, and Gingrich superimposed over a former Dukes of Hazzard logo), describing the Deep South as the “Cracker Barrel circuit” and then pondering what will happen “down in Faulkner country,”  Bashir did as much to perpetuate an image of the South as moonshine-swilling, varmint-eating, backward region as did the candidates themselves.   In sum, the national media is often no better than the candidates themselves in understanding the complexities of the South and the people who live here.

And this is what we are in for people, when the Democratic National Convention comes to Charlotte.  Because the media pundits, who are supposed to be “informed,”  will be looking for what makes this a southern city, and will likely miss what makes it as American as apple pie.

Slavery Museum Still in Limbo

Reblogged from History4everyone's Blog:

Susan Svrlunga for The Washington Post, February 11, 2012:

Nearly 20 years ago, former Virginia governor L. Douglas Wilder announced that he wanted to create a museum that would tell the story of slavery in the United States. He had the vision, the clout, the charm to make it seem attainable, and he had already made history: the grandson of slaves, he was the nation’s first elected African American governor.

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Yes, indeed, what DID happen to the Slavery Museum?

What the hey, NAACP?

As I’ve written about before, I found the “history” reflected in the film “The Help” to be problematic on many levels.  I agreed with the Association of Black Women Historians in their criticism of the film’s message about black women in the era of Jim Crow. I also found Melissa Harris-Perry’s review of the film to be on point when she described it as “ahistorical and deeply troubling.” More recently, an alternate reading of “The Help” came in the form of this revised movie poster that bitingly states what many of us think about the film.

Then, what the hey is the NAACP thinking by nominating the film for Outstanding Motion Picture for one of its 2012 Image Awards? More importantly, why did they give Bryce Dallas Howard a nod for Outstanding Supporting Actress? Hilly? She’s not exactly a person of color (at least not in the tradition of these awards).  As the Washington Post stated, this is one of the most awkward nominations the organization made.  I can understand Viola Davis’ nomination for Outstanding Actress–even Melissa Harris-Perry recognized her talent.  Still, I agree with her that it’s a shame that Davis will probably win for playing a maid.  Hattie McDaniel, anyone?

As a historian, I often find myself combating popular media’s misrepresentations of the past in the classroom.  However, it is often an uphill battle and the success of films like “The Help,” make it even more difficult.  So, like my cohorts in the profession, I plod along and try to educate my students by having them read some honest-to-goodness history.  I only wish filmmakers would do the same.  It’s not as if the historical truth doesn’t make for good drama.