What Happens When a New York Company Tries to Brand “Southern Style” Sweet Tea

Southern Style Sweet Tea from AriZona by way of Brooklyn, NY.

My friend’s Southern Style Sweet Tea from AriZona by way of Brooklyn, NY.

Recently, a friend and I were having lunch when I noticed an image on the side of her AriZona “Southern Style” sweet tea.  It caught my attention because of the image used to brand this tea as southern–19th century steamboats on what we can probably assume is the Mississippi River.

I find it interesting that in 2013 that a company determined that it would associate “southern” with antebellum paddle-wheelers that were used to not only carry travelers, but tons of cotton cultivated by thousands of slaves. That’s when I did my research and discovered that AriZona had originally used an even more offensive image to suggest “southern style” when the product came out in 2008.

Back then, the tea was branded with the image

The original image of AriZona's Southern Style Sweet Tea featured an antebellum plantation.

The original image of AriZona’s Southern Style Sweet Tea featured an antebellum plantation.

of the “big house” of a southern plantation, with a southern belle in the foreground.  It was reminiscent of early advertising that incorporated images of the Old South–advertising tropes that are more than a century old. The original can rightly drew the ire of consumers for promoting an image of the Old South and the slavery that’s associated with plantations. It forced the company to change the image and make a public apology.

But why did the company approve the image of a plantation in the first place?  Why did they follow it up with another image from the same era? I’d argue that it’s because the company, founded by two guys from Brooklyn, have no sense of American history nor do those in charge of its marketing understand modern southern culture.  Rather, they rely on the same tired tropes of the South. Clearly, there’s some sense that the South not only hasn’t made it into the 21st century; it never made it into the 20th!

So, to marketing firms above the Mason-Dixon I say this:  Come visit and quit relying on tired stereotypes.  You’ll thank yourself and you won’t make stupid mistakes like AriZona.

What do Boy George and Mississippi in 1870 have in common?

As I sang and danced to the 1983 Culture Club hit “Karma Chameleon,” I was completely unaware of the Pop South associations that I would totally get today if the song were new.  Recently, I watched the YouTube clip of the music video “Karma Chameleon” and was astounded when I saw “Mississippi–1870″ claimed as the video’s setting.  Clearly, I hadn’t paid attention when it was shown on MTV. That is, when MTV really meant “music television.”

Filmed in Weybridge, England, the video features blacks and whites dancing together (not possible in 1870s Mississippi) dressed in all manner of costumes that are not necessarily of the period. The Chameleon, in this case, was a Mississippi gambling boat souped up to look like a nineteenth-century steamboat. Of course, Boy George looks like he always did, like Boy George–in makeup, colorful clothes, braids,and his signature hat. About the only thing reminiscent of the South might be the harmonica riffs, yet even those are far from bluesy.

It’s just a small reminder that what passes as “southern” has long been a favorite trope for the producers of popular culture.  It was also fun to watch again.

Paperback version of Dreaming of Dixie to be released in August

DreamingFinal

I’m pleased to announce that my book Dreaming of Dixie: How the South Was Created in American Popular Culture is coming out in paperback.  You can pre-order now through UNC Press for the book’s release in August.  Fun reading and great for classes!

Who’s Gonna Fill Your Shoes, George Jones?

News recently broke that George Jones, whose distinctive voice and behavior made him a legend in country music, died today at the age of 81.  I have fond memories of listening to his music with my Maw Maw Crum back in West Virginia.  His nicknames “the possum” and “No Show Jones” hinted at his looks and the impact his alcoholism had on his performances.  Yet no one can dismiss his unique voice or his impact on country music.  Rest in Peace, George Jones.

Reese Witherspoon and the Fallibility of the Southern Woman as “America’s Sweetheart”

Celebrity culture is an interesting phenomenon.  We come to know a celebrity’s public persona and many people assume they “know” the person.  And in some cases, the celebrity assumes that “the people” know him or her.

Reese Witherspoon's "sweet" mugshot.

Reese Witherspoon‘s “sweet” mugshot.

Enter Reese Witherspoon, or better yet a drunk Reese Witherspoon, whose celebrity persona is “America’s sweetheart.”  Except that this past week the nation learned something about her true personality when, while driving in Atlanta, her husband James Toth was pulled over and arrested for drunk driving.  She was in the passenger seat and instead of keeping calm and letting the officers do their job she got out of the car to announce to the officer “Do you know my name?” This was followed by “You’re about to find out. . .”  Blah, blah, I’m an entitled Hollywood actress who should get special treatment and I have lawyers.  Um, Reese, this is being videotaped.

Since this is a blog about the South, I wonder why it is that southern women often get the title of “America’s sweetheart?” We’ve had Mary Lou Retton (West Virginia), Julia Roberts (Georgia), Taylor Swift (from rural Pennsylvania–also known as North Alabama–and in country music she might as well be from the South), Britney Spears (Louisiana) and Reese Witherspoon (Tennessee). There have also been a number of beauty queens from the South who’ve won Miss America.

After shaving her head, Britney Spears had this "umbrella incident."

After shaving her head, Britney Spears had this “umbrella incident.”

I have a theory that white southern women who supposedly exhibit a certain feminine innocence and charm, not unlike the southern belles of old, are still held up as models of femininity for the nation.  Even if their private behavior isn’t innocent, very often their public personas suggest that they are well-behaved, models of traditional womanhood.  So, when they show their human frailties (Britney Spears) or that they aren’t sweet at all (Reese Witherspoon) it seems like they’ve taken a big tumble from their pedestals.  Except they shouldn’t have been placed there to begin with. It’s a precarious perch and they were bound to fall.

It is inherently problematic to assign southern women the title of “America’s sweetheart.” Southern women are not the mythic creatures of traditional femininity, nor do they embody the behavior that Americans and the media continue to portray them as having.  They are, like other American women, fallible human beings who can sometimes behave poorly.

Historic Natchez Conference: Civil War to Civil Rights

Boxwood Garden, Natchez

Boxwood Garden, Natchez

I’m pleased to be able to participate in the annual Historic Natchez Conference this week from Wednesday, April 17 through Saturday, April 20th.  The focus of the meeting is “Civil War to Civil Rights.”  I’ll be speaking about my new project about a murder case that made national headlines in 1932. It’s known locally in Natchez as the “Goat Castle Murder.”

William C. Davis, professor of history at Virginia Tech, is giving a keynote address.  He is the author of Look Away! A History of the Confederate States of America (2003).

Inside the Eola Hotel

Inside the Eola Hotel

The conference will be headquartered at the historic Eola Hotel. As with many small towns with nary an airport in sight, folks there know how to show people a good time.

Longwood Plantation, Natchez

Longwood Plantation, Natchez

If you ever get to visit Natchez, you should.  As they say there, “Natchez is in this world, but not of it.”  Seeing is believing.

“Racism is over y’all”: SNL takes on Accidental Racist

During the segment “Weekend Update,” Saturday Night Live’s Kenan Thompson and Jason Sudeikis satirized Brad Paisley and LL Cool J‘s new song “Accidental Racist.” Pop South examined this song earlier in the week, but admits that a brief satirical sketch can pack a big punch.