Just felt like posting this song today. You’re welcome.
Category: American South

What’s in a Flag? Photos Worth a Thousand Words
The news of the past week has run the gamut from deep despair to joyous celebration, as millions of Americans grappled with the murder of black parishioners at Emanuel AME in Charleston, South Carolina, while millions of others celebrated the Supreme Court’s decision upholding marriage equality.
Throughout this news cycle there has been an explosive debate over the Confederate flag and the need to take it down from government-sanctioned spaces, while, simultaneously, LGBT citizens and their allies have raised the flag of pride to commemorate a Supreme Court victory that makes this year’s pride season even more special.
This past week, there have been some amazing images of both flags, together and separately, that remind us that symbols do matter in issues of civil rights. Below are some of the photos and cartoons that have made the rounds that speak volumes about flags and people’s passion for causes.




“It’s Time:” SC Governor Nikki Haley Calls for Removal of Confederate flag from Capitol Grounds
Today, South Carolina Governor Nikki Haley (R), flanked by leaders from both parties including U.S. Senator and Republican presidential candidate Lindsay Graham and Democrat Congressman James Clyburn, held a press conference to formally announce her support to have the Confederate flag removed from the State Capitol grounds. The pressure to remove the flag, of course, comes following the murder of nine black parishioners in Charleston’s Emanuel AME church.
It was a politically savvy speech, in which she maintained her conservative creds by acknowledging those she knew wanted the flag to remain without being (completely) insensitive those who wanted it gone.
She spoke about “moving forward” and acknowledged that “on matters of race, South Carolina has a tough history.” [That’s an understatement.] She also sought to distinguish between South Carolinians who revered the flag’s heritage from the likes of Dylann Roof, whose use of the flag was “sick and twisted.” [Translation: There are good and bad flaggers.] And, while she supported the private display of the Confederate flag, she noted that “The State House is different.” Yes, it is.
Then she got to the business at hand. “With no ill will,” she said, “it’s time to move the flag from the Capitol grounds.” The room erupted with applause. She went further and declared that she will use her authority as governor to return the South Carolina state legislature to session to take action to remove the flag if it has not done so by the close of the legislative session that ends this week. While she offered her respect to those who still revered the flag, she was quick to return the focus to those who lost their lives in Charleston on June 17, 2015. “We are not going to allow this symbol to divide us any longer,” and acknowledged that the fact that the flag “causes so much pain” was reason enough to take it down.
Finally.

This is a swift turnaround from just a few days before. Then, Haley expressed no interest in “policy discussions,” saying instead that her job was “to heal the people of this state.” She also maintained that the flag, an emblem of white supremacy and violence, posed no problems or even discussions with CEOs planning to set up shop in South Carolina.
But she could not ignore the flag’s association with this latest act of racial violence, especially as images of 21 year-old Dylann Roof, who perpetrated this crime of terror and violence, circulated. Neither could she refute the recent protest on Capitol grounds, the #TakeItDown movement, and the moveon.org petition, which gathered more than a half million signatures calling for the flag’s removal. Even her fellow Republican Mitt Romney tweeted to take it down. [Note: If Haley wants to remain in contention as a Republican running mate in 2016, she needed to do this.]
One hopes, however, that the Governor finally realized that to truly heal the people of South Carolina, she had to consider ALL of the people–and not just those who still cling to a relic of the past that should have long ago been relegated to a museum.
Why South Carolina must remove the Confederate Battle Flag from Capitol Grounds

The terror and murder of innocents in Charleston’s Emanuel AME church a few days ago has rightfully sparked a discussion of our country’s problem with race–especially the fact that on a daily basis, black people are targets of white hatred. And, in the case of 21 year-old Dylann Roof, a white racist from Eastover, South Carolina, his hatred led him to plot and murder nine individuals gathered for prayer in their own church. They were:
Cynthia Hurd, 54
Susie Johnson, 87
Ethel Lance, 70
Rev. DePayne Middleton-Doctor, 49
The Honorable Rev. Clementa Pinckney, 41
Tywanza Sanders, 26
Rev. Daniel Simmons, Sr., 74
Rev. Sharonda Singleton, 49
Myra Thompson, 49
Say their names. This is a constant refrain, because this story isn’t just about the murderer, it’s as much about those who were killed and the devastation that their families and community are left to deal with.

It is also time that South Carolina, in particular, remove one of the most divisive symbols on its Capitol grounds–the Confederate battle flag. It’s the same flag that Dylann Roof sported on the front plate of his car and one, among other white supremacist flags, that he swore allegiance to.
Governor Nikki Haley feigns surprise at how someone could enter a place of worship to kill people, while also suggesting that this flag is a-okay with business CEOs.
First, Gov. Haley needs to get her head out of the sand. This wasn’t simply an attack on people of faith. It was an act of racial terror on a specific church. Anyone with a bare bones understanding of the state’s history, which should include Haley, knows exactly why Roof targeted Emanuel AME.
Second, whether or not CEOs have a problem with the Confederate battle flag on capitol grounds is beside the point. The South Carolina State House is the people’s house. It doesn’t belong to the CEO of Volvo or any other business considering locating a factory in South Carolina. It belongs to all of South Carolina’s citizens, not just the ones who are clinging to a relic of white supremacy.

So that flag, the one that inspires racial hatred and murder and hopes of a race war, has no place on the grounds of state government. Shamefully, it flew even as The Honorable Senator Clementa Pinckney, murdered in the church he pastored, was being eulogized inside the senate chamber where he once served.
It insults his service to South Carolina. It insults all those who were murdered as they worshipped. It insults black and white citizens of the state alike, and it must come down.
It’s a small gesture and not a salve for all that is wrong, but it might begin a process of racial healing that is much needed right now.

The Prancing Elites: Navigating the Landscape of Love and Hate

When I moved to south Mississippi in 1991, I joined a diverse community of gay people. One of the most fascinating individuals I ever encountered was a black man known throughout the community as Miss Bootnanny. She stood 6′ 5″ tall and when I saw her, it was usually at the little gay bar in Hattiesburg called Le Bistro–affectionately known as the Cha Cha Palace or simply “the Cha Cha.”

The ‘Burg was not a large enough city to have segregated gay bars–by gender or race–so we ALL went to the Cha Cha. Miss Bootnanny’s story, the little bit I gathered, was that she had been a drum major at Jackson State University, that out of drag she worked for a local garden center, and on any day you might see her twirling her baton on a public street or in the parking lot of the Sunflower grocery store.
While I never actually saw Bootnanny during the day to confirm the latter, she left no doubt that she had once led a marching band and knew how to twirl batons. Her talent extended to fire, as I learned when I watched in amazement as she twirled flaming machetes, an impressive talent, to say the least. On a “normal” weekend at the Cha Cha, though, she always made an entrance.
One night, it went like this: I was standing around chatting with friends when all of a sudden there was a commotion and we all stopped to look, because Miss Bootnanny had arrived. In she walked, dressed in a sparkling, sequined onesie, carrying one of those flag corps flags. She marched her way around the entire bar hoisting it into the air like the Pied Piper of Fabulous, which she was. (Note: Currently seeking a photo of Miss Bootnanny to add to this piece.)
And yet, I know that her life could not have been easy despite those moments of pure joy. Growing up black in America is difficult enough. And while I have written elsewhere that gay acceptance can be found in the rural Deep South, I know very well that there are limitations–particularly when LGBT expressions are further complicated by race and evangelical religion. To say nothing of poverty.
Having one Miss Bootnanny in a small community makes her eccentric, one of “our own,” and “non-threatening.” But when more than one come together, much less five, and demand to be seen, that’s another story entirely.
Enter the Prancing Elites–the subject of a new reality TV show currently airing on Oxygen.
The Prancing Elites Project follows a dance team made up of five openly-gay black men who live in Mobile, Alabama, and model themselves after the J-Settes–the all-female dance team that performs with the Jackson State University marching band. The Elites wear make-up and dress like the J-Settes, too.
The Prancing Elites live to dance–whether that’s in the stands while a marching band plays, being part of a parade (any parade), or performing for a New Year’s Eve party full of white folks. The latter has elicited some harsh criticism on YouTube, which makes one long for the voice of Langston Hughes to offer his critique of the ways of these white folks.
You may have also seen The Elites on America’s Got Talent or a talk show called The Real. Yet in their new reality show on Oxygen, the realness is not just the love showered on the Prancing Elites from across the nation, a result of the media attention they’ve received. It’s also the hateful responses from both black and white members of their local community and, in some cases, even close relatives.
And while they put on a brave face, and even regard their passion for dance and being openly gay as part of a longer tradition of southern civil rights, one can quickly discern that navigating this landscape of love and hate can be difficult for these young men to endure, as they must carry the added weight of being black and gay in a region that so often despises both.
When I watch the Prancing Elites, I have several reactions.
I fear for their safety. I feel the pain of rejection of a community that uses religion to justify its hate and disapproval. And yet, I admire their courage to stand up to the bigotry of racists and homophobes.
I cheer them on in their bid to change the world for the better not by leaving the South, but by remaining here and trying to make a difference for those who want to follow in their dance steps. And I am buoyed by their confidence and the positive reactions they get from the same community.
I hope they squeeze all they can from the fame rollercoaster before the cameras go away and, in the process, help to make a better way for those like Miss Bootnanny who, all those years ago, simply wanted to be herself.

RuPaul’s Drag Race Season 7: All Hail the Southern Queens!

I’ve written about RuPaul’s Drag Race here before, exploring the fabulosity that drag queens from the South bring to the larger drag world. Southern queens are pros at drag performance, because they’ve often had great role models in straight southern women who also love big hair, wear tons of makeup, and compete in pageants.

On this season’s Drag Race, there are two southern standouts–Kennedy Davenport from Dallas, Texas, and Ginger Minj from Leesburg, Florida, who proudly proclaims that she’s a “cross-dresser for Christ” and recently told the Orlando Sentinel that she based Ginger on “strong, funny, outgoing churchwomen I spent my life around,” adding “She’s very Southern.”
Both are talented performers in their own right (Kennedy Davenport was a contestant on America’s Got Talent), but I live for the unadulterated comments they make during interviews out of drag. It’s very often the humor, or simply a turn of phrase, that fellow southerners who enjoy drag instinctively get.
I’m biased, but I believe the southern queens on RPDR are often the most talented, funniest, and polished. Last year’s winner, Bianca Del Rio, hails from New Orleans. One of the most popular contestants from the show has been Alyssa Edwards, also from Texas. And she didn’t even win the contest!
Regardless of who becomes the next Drag Superstar, we all win when southern queens are in the mix.
Note: All told, there are actually four southern queens. Violet Chachki, is from Atlanta but does not present herself as “southern.” Jaidynn Diore Fierce, is also on the show. She hails from Nashville, Tennessee.
Me and Jeff Davis are Finis: The Price of Confederate Heritage
My journey through the culture of the Lost Cause and what had been (still is?) the cult of Jefferson Davis came full circle years after my initial visit to Beauvoir upon learning about the creation of the Jefferson Davis Presidential Library. This project was initiated by the Mississippi Sons of Confederate Veterans (SCV), which owns and operates the site, and through its lobbying efforts became a financial beneficiary of the State of Mississippi. On their own, the Sons were not successful in their efforts to raise money for the library. In fact, the money they raised was not enough to renovate the house, much less build a presidential library.

So the Sons lobbied state officials, especially then Governor Kirk Fordice, who confirmed his support for Confederate history during each year of his two terms in office by officially declaring April as Confederate Heritage Month. The SCV’s lobbying efforts to garner funds for the library were rewarded in 1993 when the state gave $1.5 million in bond funds for the project. Then, two years later, Governor Fordice signed a bill giving the SCV an additional $3 million. Thus, the State of Mississippi awarded $4.5 million in taxpayer funds to a private institution to create (without a hint of irony) the Jefferson Davis Presidential Library. Not “Confederate Presidential Library,” mind you, but Presidential Library.
This kind of state support was common in the early twentieth century. Throughout the South, state legislatures and local governments gave today’s equivalent of millions of dollars to erect Confederate monuments, build soldiers’ and widows’ homes, and fund other Lost Cause projects.
As states poured funds into creating stone likenesses of Confederate soldiers, their black citizens suffered as schools were underfunded and many lived in abject poverty. Not much has changed in the last century. It may be 2015, but it wreaks of 1915.
In today’s Mississippi, most minorities and poor whites must attend substandard public schools where state expenditures on public education place the state at the bottom in nationwide rankings. And yet there always seems to be money for a historic site dedicated to a pro-slavery president of a defeated Confederate nation.
This was brought into sharp relief when Hurricane Katrina hit the Gulf Coast. It nearly wiped Beauvoir from the map and destroyed the library. But have no fear, both the Federal Emergency Management Association (FEMA) and the Mississippi Emergency Management Association (MEMA) came to the rescue. From a report from the Department of Homeland Security:

Not only was Beauvoir restored, the library was rebuilt to the tune of $17.2 million dollars. This on top of the original $4.5 million comes to $21.7 million for the site. Let that sink in.
Understanding Jeff Davis’s role in the Confederate tradition has, for me, meant truly knowing what a hold the Lost Cause still has on the South. Are white southerners, as my colleague David Goldfield writes, “still fighting the Civil War?” Certainly some of them are.
What’s more significant, I would argue, is that the white South continues to honor, revere, and value Confederate heritage without putting up a fight at all. It’s all around us if we look, and paid for by local, state, and even the Federal government–especially in the Deep South.
The price of Confederate heritage goes beyond the millions that were spent to commemorate it and the millions spent to preserve it. There’s a price to pay for honoring the heritage that I encountered through the memory of Jefferson Davis. It’s a heritage that has come at the expense of African American progress and the region’s poorest citizens, black and white. It’s a heritage that has hampered race relations and civil rights. And, it’s a heritage that has hurt the region’s reputation throughout the nation.
Simply put: Confederate heritage has cost the South too much.


Me and Jeff Davis, Part VII: His Crown of Thorns

Nothing says “Christian martyr” like a crown of thorns, but did you know that Jefferson Davis had one, too? He did.
Preparing my manuscript on the United Daughters of the Confederacy (UDC) often took me to the Museum of the Confederacy (MOC) in Richmond. In one final trip to search for images with which to illustrate my book, I traveled there in the spring of 2002. At the time, the MOC was hosting a special exhibit of items on loan from the Confederate Memorial Hall Museum in New Orleans, which opened in 1891 and is one of the oldest history museums in the South.
I walked through the exhibit, observing objects from several of the South’s heroes (General P.G.T. Beauregard‘s uniform, for example) and then was stopped in my tracks by the relic of all Lost Cause relics. There before me under plexiglas was a crown of thorns. Without reading the exhibit copy, I instinctively knew it was for Jeff. And, yes, I was right. Here before me rested the ultimate symbol of his martyrdom—a crown of thorns. I could hardly believe my eyes. I saw (but would not touch) the locks of his hair, and now I found myself gazing on his crown of thorns.

The thorny wreath, according to the Confederate Museum that owns it, was “sent to Davis by Pope Pius IX in sympathy for Davis’ post war treatment by the U.S. government while a prisoner at Fortress Monroe.” That seemed like a sacrilegious thing for a pope to do, but the representatives of the museum have yet to waiver from their story. However, the researchers at the Museum of the Confederacy documented their version, which is that his wife Varina Davis made the crown. An inventory of items donated by Varina to the Confederate Museum in New Orleans confirms that she made the crown, but I’ve yet to find out why. (Kevin Levin offers the documentation on his Civil War Memory site.)
This object, this relic of the Lost Cause, makes quite a statement about Davis as a martyr, because not every martyr gets a crown of thorns. Did the white South believe so whole-heartedly that his sacrifices were Christ-like?
I have no doubt that the early members of the UDC were on board with the “Davis as martyr” image, because it was in keeping with the stories written about women of the Confederate generation in the years following the Civil War.
Those “women of the sixties” were frequently compared to Mary and Martha of the Bible, “last at the cross and first at the grave.” Perhaps the UDC saw its role in preserving the image of Jeff Davis as similar in intent.
The crown of thorns, while made by Varina, served its purpose as the pièce de résistance in a much larger campaign by women to resurrect Davis’s image.
Check back for the final installment of Me and Jeff Davis: The Serial when I discuss the Jefferson Davis Presidential Library as well as the financial and political costs of the Lost Cause.

Me and Jeff Davis, Part VI: Living on Jefferson Davis Highway

In 1913, UDC President-General Rassie White conceived of a memorial project unlike any other. The organization’s success with monuments was evident throughout the South and in some northern cities, including Chicago. Even San Francisco had a Confederate memorial in the form of a park planted with southern trees.
But it was the opportunity to honor their man once again that led President-General White and the Daughters to suggest that a highway, named for Jefferson Davis, be created. The transcontinental route would extend from ocean to ocean and wind its way through southern states, beginning in Washington, DC, and ending in San Diego, California.
There would also be two auxiliary routes: one from Davis’s birthplace in Fairview, Kentucky, to his last residence, Beauvoir, on the coast of Mississippi. Surprisingly, the other route would follow Davis’s escape route through the South to the site of his capture in Irwinsville, Georgia. Surprising, since this route ended at the place where the controversy erupted over his capture in feminine attire.
The Daughters’ did not fully succeed in completing this highway memorial, as some sections of the road were built but not connected as a continuous coast to coast route. Today, only some parts of the highway carry the Davis name. One, ironically, is U.S. 80 in Alabama, particularly the segment from Selma to Montgomery. It was indeed on this road, named for Jefferson Davis, that the Reverend Martin Luther King led the march that led to the Voting Rights Act of 1965, a story recently dramatized in the movie “Selma.”
The other route, U.S. 1 in Virginia, also carries the name Jefferson Davis Highway. It was through this section of the memorial that I again crossed paths, literally, with the memory of the Confederate president.
In 2001, I moved to Arlington, Virginia. Friends of mine directed me to some apartments in the area known as Crystal City, adjacent to National Airport (I’m one of those who still resists the name change to Reagan National for good reason.) Because I had to make a quick decision, I settled on an apartment in this section of Arlington.
My new address, and a big surprise to me, was none other than Jeff Davis Highway. As serendipity would have it, it was there, with a Jeff Davis address, that I put the finishing touches on the manuscript that became Dixie’s Daughters.
For more information on this highway, see: Richard F. Weingroff, “Jefferson Davis Memorial Highway,” U.S. Department of Transportation, Federal Highway Administration website, http://www.fhwa.dot.gov/infastructure/jdavis.htm
My Lost Cause journey with Jeff continues. Come back next week for Part VII and the story of Jeff Davis and his crown of thorns.
Me and Jeff Davis, Part V: Massing Flags for Jeff’s Birthday
Since 1965, the year the Voting Rights Act was passed, the headquarters of the United Daughters of the Confederacy (UDC) in Richmond, Virginia, has hosted an annual ceremony known as the “Massing of the Flags.” The event, held each June, commemorates the birthday of Confederate President Jefferson Davis. It is the one time each year that the UDC opens its doors to the public, and in my many research trips to the city, I was told that it would be interesting for me to attend this event.
In 2000, my curiosity led me to Richmond to find out what massing of the flags–Confederate style–meant. As I approached the headquarters I saw men in reproduction Confederate uniforms and women in dresses that cascaded over hoop skirts. It was a sign of things to come.

Entering the building, one walks into the large central room where the ceremony is held. Stretching along the wall directly opposite the entrance is a row of chairs, reminiscent of Masonic chairs, which at one time likely hosted the officers of the Daughters’ general organization. Above the chairs on the wall is the UDC motto “Think, Love, Pray, Dare, Live” represented on a five-pointed star with a cotton boll at the center.
I took a seat on the right side of the aisle and waited for the day’s activities to begin. Leading the audience in prayer, the minister did what Lost Cause devotees of a century earlier had done—paid homage to Jefferson Davis by likening his sacrifices for the South to those of Christ for humanity. Another speaker led the crowd in a rousing rebel yell, followed by the singing of “Dixie.” The day’s speech, like every year’s ceremony, focused on some aspect of Davis’s life and career. Then, I learned about massing flags.

State by state (not all of which we know to be Confederate, like California) was represented by a man and woman dressed in period attire. The man carried the state’s flag, as commentary about the state’s sacrifices, commitment to, or sympathy with the Confederate cause was read aloud.
Chests swelled with pride and the ceremony was observed by many others dressed in period attire, dabbing their eyes with handkerchiefs as the parade of flags passed by. Lest you think this was a ceremony of the aged, the Children of the Confederacy (the UDC’s official youth auxiliary) was also represented, just as in commemorations past.

This particular commemoration was marked with a speech by June Murray Wells, then president-general of the entire UDC organization. A resident of Charleston, South Carolina, Wells’ presence at that year’s massing came on the heels of the fight over the Confederate battle flag that flew atop the South Carolina State House in Columbia, which was subsequently removed.
In her speech recounting the year’s battles, however, Murray stayed true to Lost Cause form and painted the eventual outcome as a moral victory for Confederate organizations. She noted with pride that the flag, no longer flying out of view on top of the capitol, now appeared more visible to the state’s citizens, as it waved from a thirty-foot flagpole that stood directly in front of the building. “The pole is lit at night,” she told the enthusiastic crowd, and, she chuckled “should anyone try to remove the flag, it has an electric charge.”
That day Jefferson Davis’s birthday was marked in true Lost Cause fashion. A man who was a white supremacist was honored through modern day racist rhetoric. The NAACP, whose members Wells referred to as “that crowd,” and its boycott of South Carolina was, for those gathered to honor Davis, about “us” versus “them,” of white versus black.
And in their minds, the Confederate forces had won.
In Part VI of Me and Jeff Davis, I’ll talk about living on Jefferson Davis Highway.