Nothing says “Christian martyr” like a crown of thorns, but did you know that Jefferson Davis had one, too? He did.
Preparing my manuscript on the United Daughters of the Confederacy (UDC) often took me to the Museum of the Confederacy (MOC) in Richmond. In one final trip to search for images with which to illustrate my book, I traveled there in the spring of 2002. At the time, the MOC was hosting a special exhibit of items on loan from the Confederate Memorial Hall Museum in New Orleans, which opened in 1891 and is one of the oldest history museums in the South.
I walked through the exhibit, observing objects from several of the South’s heroes (General P.G.T. Beauregard‘s uniform, for example) and then was stopped in my tracks by the relic of all Lost Cause relics. There before me under plexiglas was a crown of thorns. Without reading the exhibit copy, I instinctively knew it was for Jeff. And, yes, I was right. Here before me rested the ultimate symbol of his martyrdom—a crown of thorns. I could hardly believe my eyes. I saw (but would not touch) the locks of his hair, and now I found myself gazing on his crown of thorns.
The thorny wreath, according to the Confederate Museum that owns it, was “sent to Davis by Pope Pius IX in sympathy for Davis’ post war treatment by the U.S. government while a prisoner at Fortress Monroe.” That seemed like a sacrilegious thing for a pope to do, but the representatives of the museum have yet to waiver from their story. However, the researchers at the Museum of the Confederacy documented their version, which is that his wife Varina Davis made the crown. An inventory of items donated by Varina to the Confederate Museum in New Orleans confirms that she made the crown, but I’ve yet to find out why. (Kevin Levin offers the documentation on his Civil War Memory site.)
This object, this relic of the Lost Cause, makes quite a statement about Davis as a martyr, because not every martyr gets a crown of thorns. Did the white South believe so whole-heartedly that his sacrifices were Christ-like?
I have no doubt that the early members of the UDC were on board with the “Davis as martyr” image, because it was in keeping with the stories written about women of the Confederate generation in the years following the Civil War.
Those “women of the sixties” were frequently compared to Mary and Martha of the Bible, “last at the cross and first at the grave.” Perhaps the UDC saw its role in preserving the image of Jeff Davis as similar in intent.
The crown of thorns, while made by Varina, served its purpose as the pièce de résistance in a much larger campaign by women to resurrect Davis’s image.
Check back for the final installment of Me and Jeff Davis: The Serial when I discuss the Jefferson Davis Presidential Library as well as the financial and political costs of the Lost Cause.