There’s not enough butter to cover up or improve the bad taste that Paula Deen has left in people’s mouths since they learned that the South’s most famous cook admitted to using the “N-word” as well as making other racially insensitive remarks. Twitter lit up with fake recipe titles attached to the hashtag #paulasbestdishes, skewering Deen for her racial insensitivity. “We Shall Over-Crumb Cake” and “Massa-roni and Cheese” are just two (and, frankly, kind) of hundreds of examples.
Her comments came under oath as she was being deposed by attorneys for Lisa Jackson, a former employee who is suing Deen and her brother Earl “Bubba” Hiers, along with Deen’s company, for alleged “violent, racist, and sexist behavior.” The full details of the complaint, in fact, are much more alarming and disturbing and go well beyond racial epithets. Yet for now, the focus is on Paula Deen’s racist comments, and for good reason.
Deen has presented herself and has been marketed as the “face of southern cooking.” Her shows on the Food Network, her cookbooks, magazines, and product endorsements have made her a household name and a multimillionaire. She is a very public figure and has to know that what she says and does will be publicly scrutinized. And if she didn’t, she certainly knows it now.
So what did she say? Under oath, she admitted to using the “N-word.” She also said she wanted to plan a “really southern plantation wedding” for her brother Bubba Hiers. Her inspiration came while visiting another southern restaurant where black men wore white jackets and black bow ties. She was impressed, she said, because “that restaurant represented a certain era in America.” And when Jackson was brought in to assist the famed southern cook with preparation for Hiers wedding, she alleges that the following conversation with Deen occurred:
“Well what I would really like is a bunch of little niggers to wear long-sleeve white shirts, black shorts and black bow ties, you know in the Shirley Temple days, they used to tap dance around. . . Now that would be a true southern wedding, wouldn’t it? But we can’t do that because the media would be on me about that.” (courtesy of Talking Points Memo)
The media is on her, alright. And so are a lot of Americans who have taken to social media to let her know just what they think of her comments and her, personally.
Yet what I’m interested in here, as someone who blogs about the South in popular culture, is Deen’s supposed naiveté about the use of the N-word and her misinformed (to say nothing of outdated) view of what she believes represents a “really southern plantation wedding.”
First, there’s her use of the term “nigger.” Deen, who is 66 years-old and grew up in southwest Georgia, knows exactly what the term means and knows full well that historically, it’s been used as a pejorative. In fact, she admits to as much under oath, saying “things have changed since the ’60s in the South. And my children and my brother object to that word being used in any cruel or mean behavior.” Though, apparently, it’s okay to use in a joke. Well, now that she’s been caught using it, she’s being forced to consider that it’s not a laughing matter, y’all.
I have a sneaking suspicion that given the power she wields because of her wealth and celebrity, she didn’t think that using that term around one of her employees would matter, especially when that employee’s job depended on it. Based on her responses to attorneys’ questions, it appears as though Deen felt she only used the n-word to describe, not hurt. She seems to believe that what she said was innocuous, and it didn’t even occur to her that a fellow white southerner might have a problem with it. As it turns out, not only is Lisa Jackson white, she has biracial nieces.
Deen’s desire to give her brother a “really southern plantation wedding” is also problematic, because she’s out of touch with reality to say nothing of southern history. What she described, according to the complaint, was essentially Hollywood’s version of a southern plantation from movies of the 1930s. Her reference to Shirley Temple films was a dead giveaway. In 1935, Temple starred in two films set in the Old South, The Little Colonel and The Littlest Rebel. In both, her co-star was Bill “BoJangles” Robinson who, like in Paula Deen’s image of the South “of a certain era,” is seen wearing jacket and bow tie.
The “certain era” she recalls, of course, isn’t the plantation South at all. As one of my peers rightly noted: “As a southern historian I’ve seen a great many 19th century slave photos and none included tuxedo clad slave waiters.” Indeed. What Deen described in her testimony is a 1930s pop culture version. In essence, what she hoped to recreate for her brother Bubba was a wedding scene straight out of a Jim Crow era film.
According to her attorney, Paula Deen “does not condone or find the use of racial epithets acceptable.” Such a statement is to be expected now that her own use of racial epithets has been exposed, because her southern cooking empire is very likely in jeopardy as a result.
Deen’s experience is a lesson to us all that we do not live in a post-racial America. At the same time, we should not assume that racism is simply a “southern” problem. Unfortunately, given Deen’s association with the region, the popular perception of a monolithic, racist white South rears its ugly head. Yet, what I hope doesn’t get lost in all of this is that while Deen feigns to represent the South, she is not representative of the entire region. Another southern white woman, after all, is responsible for calling her out and holding her feet to the fire.
4 thoughts on “Paula Deen’s Recipe for Self-Destruction”
Mmmmmm, fire-roasted feet.
I truly believe that this woman is the devil incarnate, not because of the racism but because she taught people that eating deep-fried cheesecake and lasagne sandwiches is OK. THE CHEESECAKE WASN’T EVEN HOMEMADE!!!….it did look mighty tasty though.
Do we not get enough grief in the South as misogynistic xenophobic bigots? Do you think that because of this reputation that we’re all the more under the microscope? I’mstill waiting on the Robertson family’s “skeleton in the closet” to appear.
[…] sentimentality about the “plantation” era which is blind to the nature of slavery. Karen Cox of Pop South points out that Deen’s wedding fantasy isn’t real southern history. “What she […]